Devadasi Tradition of South India

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2024-10-14

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Samanta, P. J. (2024). Devadasi Tradition of South India. Sadvidya Journal of Research in Sanskrit, 4(1), 35–53. Retrieved from https://informaticsjournals.co.in/index.php/sadvidyasanskrit/article/view/46345

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References

Vardapandey, M.L., Religion and Theatre, p.45-46, Delhi, 1983

Chandogya2-II,XII 1&2

Brhadarapyaka - VI 4,3

Chaturvani - text written during the Gupta period. It comprises four plays, the heroins of which are manly the Ganikas.

Apsaras - Divine dancers who might became the mistress of god and men, comparable with Greek Nymph.

Brahmajala Sutta - A Buddhist work of 6th century B.C.

The Periplus of Erythean Sea compiled in Greak by an anonimous author towards the end of the 1st century A.D.

Sudrandhyaska Prakarana - (5;2)

Skanda Purana (24;2)

Bhavisya Purana (93;67)

Udhayabnisarka (Chaturvani) by Vararuchi

South Indian Inscription, ed., E. Hultz, Madras, 1890-1903

Epigraphic India, Vol II, p.227

Hyderabad Archaeological Series,1942, No.3, p l09

Paes and Nuniz., Vijaynagar Empire, ed., Filliozal, V, p.24, Delhi, 1977

H.M. Elliot., History of India, p.ll8, Read Books, 1906

Archaeological Survey of India Report-1903-A, Critique of Indian Theatre, p. 95-107, New Delhi

Vardapandey, M.L., op. cit, p.50

Prasad, A.K., Functions and Gradation of Devadasis-An essay,| Indian History Congress, 45th session, Annamalaingar, pl92-194

Annual Report on South India Epigraphy,1915 No.B 253

Ibid.,1910 B 370

Krishnamurthy, S.K., A study of cultural Development in Chola period, p.73, Madras, 1966

Annual Report of South Indian Epigraphy, 1050-51, No.363

South Indian Inscriptions, No. 1384

Travancore Archaeological Series, V, No.24

Pellai, K.K., The Sucindram Temple, p.258, Madras, 1953

Naivedya- ritual offering of milk, cooked food etc.

Chatterjee, A., Dances of Golden Hall, p.29-31, Delhi, 1979

Ibid.,p.30

Kersenboom story Sasika C, Nityasumangali, p. 188, Delhi, 1987

Basavis were the girls dedicate to the temples in Karnataka. It is Customary to dedicate one daughter as a Basavi, if there is no male of spring in the family.

Kersenboom story Sasikac, op. cit., p. 191

Worship of ankle bells which concludes a devadasis training in dance.

Thurston, E., Castes and Tribes of Southern India, p. 140, Delhi, 1975

Epigraphic Carnatica, V Belur 58.

South Indian Inscription II plate3 No.66

SII X No.77

Ibid.,No.75

Travancore Archaeological Services IV No.21

Thurston, E., op. cit, p. 141

Britanica Encyclopedia, Vol-XVIII

Dubois, J.A., Hindu Manners Customs and Ceremonies, p.5925,oxford, 1978

JRASBB, Vol-VII, 1942, p.79

The Book of Marco - Polo, p.345-46, Vol-II, Vule 6, Consider, 1975.

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